Chios, Greece

Photo spot in Chios

Pyrgi's painted square

Every wall in the village is scratched over in grey and white geometry, and the little square in front of Agioi Apostoloi is the densest corner of it.

About Pyrgi's painted square

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Pyrgi is the only village in Greece that looks like this. Its houses are finished in xysta: a coat of white lime over dark sand plaster, scraped away with a fork in triangles, zigzags, chequers and rosettes until the whole facade is pattern. Not one house or one street — every wall, on every side, right up to the roofline.

The centre of it is the small square in front of the church of Agioi Apostoloi, where the houses lean in and the patterns wrap around corners and over arches. Because the walls are graphic and low in contrast, a person in a strong solid colour reads instantly against them — this is one of the most flattering backgrounds in the Aegean, and it works on a wide shot or a tight one.

The patterns are relief, not paint, so they need side light to show. Early morning and the last two hours of the day rake across the walls and make them three-dimensional; at noon they flatten into grey noise. Overcast days are surprisingly good here.

This is a working village of two thousand people, not a museum: laundry, mopeds, tomatoes drying on the balconies in late summer. Keep out of doorways, keep the lanes clear, and it stays welcoming. The main square has a couple of cafés and there is parking outside the village.

Best time to shoot

Early morning or the last two hours of daylight, when side light lifts the scratched relief off the walls

Tips

Wear one strong solid colour — the grey-and-white pattern swallows prints and pastels. Midday flattens the relief; overcast light works better than it sounds. It is a lived-in village, so keep doorways clear.

Ready to book?

Our concierge team will hand-pick 2-3 photographers who know Pyrgi's painted square — free of charge.